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Peter Goffin F.R.S.A. (28 February 1906 - 22 March 1974), was an English set and costume designer and stage manager, known for his work with the D'Oyly Carte Opera Company. ==Biography== Goffin was born in Plymouth, England, the son of Willam Earl Goffin and Elizabeth Goffin, née Underwood. From 1922 to 1930 he worked as an interior decorator and mural painter locally.〔''Who's Who in the Theatre'', fourteenth edition (1967), p. 655, Pitman Publishing, London〕 As a young man, he was taken on by the local repertory theatre in Plymouth as a designer, going on to Dartington Hall from 1931-34 where he took over responsibility for staging, costumes and lighting of the Dance-Drama Group.〔 In 1935 and 1936 he was resident director at the Barn Theatre, Chesham Bois, Buckinghamshire.〔 In 1936, Goffin went to the Westminster Theatre in London, working with Harley Granville Barker and Michael MacOwan on a range of productions, from classics such as ''Volpone'', ''Uncle Vanya'' and ''Troilus and Cressida'', to modern works including ''Mourning Becomes Electra, Heartbreak House,'' and T. S. Eliot's ''The Family Reunion.'' In 1938 Goffin was invited by the government to supervise a course on stagecraft and to lecture on the subject.〔 During his Dartington days, Goffin met Bridget D'Oyly Carte. She introduced him to her father, Rupert, who commissioned Goffin to redesign the D'Oyly Carte Opera Company's production of ''The Yeomen of the Guard'' in 1938. Goffin's new set caused dissent among traditionalists because it did not depict the familiar backdrop of the White Tower. Martyn Green, the reigning principal comedian, was far from happy with his new costume, and he implied in his memoirs that it was one of the reasons why he later left the company.〔Martyn Green, ''Here’s a How-De-Do'', London, Max Reinhardt, 1952〕 For Rupert and later Bridget D'Oyly Carte, he designed new sets and costumes for ''Ruddigore'' (1948), ''Patience'' (1957), ''The Mikado'' (1958 – sets only, most of the celebrated Charles Ricketts costumes being retained), ''The Gondoliers'' (1958), ''Trial by Jury'' (1959), ''H.M.S. Pinafore'' (1961), and ''Iolanthe'' (1961). He also created a unit set – a framework on which the sets for each opera could easily be interchanged, which, according to Frederic Lloyd, the General Manager of the D'Oyly Carte Company, "saved the management an enormous amount of expense and facilitated taking more operas to more theatres."〔Goffin's obituary in ''The Savoyard''〕 In addition, Goffin designed a number of posters and other graphic art for the D'Oyly Carte organisation. Goffin wrote books including ''Stage Lighting'' (1938), ''The Realm of Art'' (1946), ''Stage Lighting For Amateurs'' (1947) and ''The art and science of stage management'' (1953). His ''The Realm of Art'', and his meeting Leon MacLaren, led the School of Economic Science to begin teaching philosophy; Goffin later presented their early public philosophy lectures.〔.〕 He was elected a Fellow of the Royal Society of Arts in 1948.〔 He was married to Margaret Wallace Dale.〔 Goffin died in Buckinghamshire at the age of 68. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Peter Goffin」の詳細全文を読む スポンサード リンク
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